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Max Steiner: The Visionary Composer Who Shaped Hollywood's Golden Era in Film Music

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Music by Max Steiner: The Epic Life of Hollywood's Pioneering Composer

Max Steiner, a three-time Academy Award winner whose career spanned from the late 19th century in Vienna to Broadway in the 1920s and the golden era of Hollywood, revolutionized film music more than any other composer before him. Today, John Williams and other contemporary composers continue to draw upon the innovative techniques perfected by Steiner through his scores for iconic films like Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, Astre-Rogers musicals, and over two hundred others.

Beyond his professional success, Steiner's personal life was marked by tumultuous times - born into an Austrian theatrical dynasty, he became one of Hollywood's highest-pd composers while struggling financially due to poor management, four marriages, and the actions of his emotionally troubled son. Yet, in his 71st year, despite being practically blind, he wrote what Billboard hled as the most successful instrumental single of that era: Theme from A Summer Place. Throughout his chaotic life, Steiner's quick wit and innate melody talent enabled him to collaborate with luminaries such as Johann Strauss Jr., Richard Strauss, George Gershwin, Irving Berlin, Oscar Hammerstein, David O. Selznick, Frank Sinatra, Frank Capra, among others.

This comprehensive biography sheds light on the previously untold story of a musical pioneer who helped create an essential new art form and a multibillion-dollar industry while crafting some of the most iconic scores in cinematic history.

Keywords: Film Music, Hollywood, Gone with the Wind, King Kong, Casablanca, Academy Award, Film Composer, Soundtrack Album, David O. Selznick, Warner Bros.

Collection: Oxford Scholarship Online

Content Outline:

Appix: Includes additional resources, a discography of Steiner’s film scores, historical context on the evolution of film music, and interviews with contemporary composers reflecting on Steiner's influence.

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